Deadlines/Brief

Music videos are so 80s/90s, right? They belong with the era when MTV screened wall-to-wall vids instead of 'reality' TV? Try telling that to the millions who bought Gangnam Style; were they really simply loving the music? 1.6bn (and still climbing) have viewed the video on YT, not to mention the many re-makes (school eg, eg2), viral ads + celeb link-ups (even political protest in Seoul) - and it doesn't matter how legit it is, this nightmare for daydream Beliebers is making a lot of money, even from the parodies + dislikes. All this for a simple dance track that wouldn't have sounded out of place in 1990 ... but had a fun vid. This meme itself was soon displaced by the Harlem Shake. Music vids even cause diseases it seems!
This blog explores every aspect of this most postmodern of media formats, including other print-based promo tools used by the industry, its fast-changing nature, + how fans/audiences create/interact. Posts are primarily written with Media students/educators in mind. Please acknowledge the blog author if using any resources from this blog - Mr Dave Burrowes

Thursday 15 November 2018

DISTRIBUTION Scuzz kicks the bucket but video channels live on

Interesting, contradictory week - Metal Hammer TV launched to rival fellow metal  magazine Kerrang! which has a thriving station. The convergence is furthered by some radio offerings by the likes of Q too.

However, MTV Rocks has gone (replaced by VH1 Christmas, just what the world needed), and so too has the Sony brand Scuzz TV, a 15-year show on Sky credited with many video premieres and breaking several bands.

Mixed picture then - there are still TV stations and shows out there based around the music video, 20 years on from MTV's shift towards moronic reality TV such as Pimp My Ride, an epically non-woke title if ever there was one.

But they are getting more niche, small channels rather than shows on major channels. The likes of Blabbermouth and other ezines with their social media presence are at least as important for music videos and promo campaigns generally.

YouTube looms above the rest, with Spotify and Apple also moving into music video - like radio, a resilient format that remains central to music marketing.

https://www.bbc.co.uk/news/amp/newsbeat-46196569

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