Deadlines/Brief

Music videos are so 80s/90s, right? They belong with the era when MTV screened wall-to-wall vids instead of 'reality' TV? Try telling that to the millions who bought Gangnam Style; were they really simply loving the music? 1.6bn (and still climbing) have viewed the video on YT, not to mention the many re-makes (school eg, eg2), viral ads + celeb link-ups (even political protest in Seoul) - and it doesn't matter how legit it is, this nightmare for daydream Beliebers is making a lot of money, even from the parodies + dislikes. All this for a simple dance track that wouldn't have sounded out of place in 1990 ... but had a fun vid. This meme itself was soon displaced by the Harlem Shake. Music vids even cause diseases it seems!
This blog explores every aspect of this most postmodern of media formats, including other print-based promo tools used by the industry, its fast-changing nature, + how fans/audiences create/interact. Posts are primarily written with Media students/educators in mind. Please acknowledge the blog author if using any resources from this blog - Mr Dave Burrowes

Saturday, 5 January 2013

UK acts dominate 2012 US charts

Adele tops the US album sales for a 2nd year running, a feat last achieved by Thriller, while 4 of the top 5 albums were by UK acts. See article below for more details.

Adele joins exclusive club as 21 named bestselling album in the US … again!

Tottenham's finest becomes first recording artist since Michael Jackson to top US album sales charts in consecutive years
Adele
Double top … Adele has emulated Michael Jackson after 21 became the first album since Thriller to top the sales charts two years in a row. Photograph: Matt Sayles/AP
For the second year in a row, Adele's 21 was the bestselling album in the US. The English singer has become the first artist since Michael Jackson to produce a record topping the sales charts in both the year of release and the year following.
According to Nielsen SoundScan, 21 sold 4.41m copies in 2012 – just 25% less than the year before, when XL/Columbia moved 5.82m. In fact, 21 hasn't left the weekly top 40 since it debuted, at No1, in March 2011. Adele's success puts the album in a very exclusive club: only three other LPs have scaled comparable heights across two successive years. The feat was last accomplished in 1985, when Jackson issued a little record called Thriller. The previous record holders were soundtracks: West Side Story in 1962/63, and My Fair Lady in 1957/58.
Overall, America's 2012 charts show a major British invasion. Apart from Taylor Swift's Red, which sold 3.11m, all of the top five albums were made by UK acts. One Direction's debut, Up All Night, was the No3 record, selling 1.62m, and their second album, Take Me Home, came in at No5. Mumford & Sons sold 1.46m copies of Babel, making it No4.
On the singles side, Gotye struck gold with his xylophone ditty Somebody That I Used to Know, selling 6.8m copies, almost exclusively digitally. Carly Rae Jepsen's Call Me Maybe rung in at No2, followed by We Are Young, by Fun. All three songs broke the all-time digital record, previously set by Adele's Rolling in the Deep.
As in the UK, there was a dip in overall album sales, from 331m in 2001 to 316m in 2012. But vinyl sales continue to grow year after year, and are up 18% thanks to hits like Jack White's Blunderbuss and the Beatles' reissued Abbey Road. Still, those black lacquer discs form only a tiny part of the pie: less than 2% of all albums sold.
Britain's bestselling album of 2012, Emeli Sandé's Our Version of Events, has never charted in the US.
Any predictions for 2013?

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