Dennis Arfa, an agent at Artist Group International, feels Metallica can rightfully lay claim being the "biggest band in the world." He explained, "Not only are they a stadium attraction, but they sell out in secondary and tertiary markets where you wouldn’t see many artists playing at all. The fact they can do the type of business they do all over the world – the two biggest apparel pieces in the world are a Yankees hat and a Metallica T-shirt. This isn’t a 10-year phenomenon, this is a stadium band since the mid-’90s and they have continued to win on the biggest levels, with $6 million-plus grosses."
Deadlines/Brief
This blog explores every aspect of this most postmodern of media formats, including other print-based promo tools used by the industry, its fast-changing nature, + how fans/audiences create/interact. Posts are primarily written with Media students/educators in mind. Please acknowledge the blog author if using any resources from this blog - Mr Dave Burrowes
Key Posts
- 1-shot vids
- Analysing videos
- Artist research
- Audience
- BBFC age rating vids
- Blog setup
- Books
- CONVENTIONS in 10 steps
- Conventions: DB playlists, posts etc
- Coursework overview
- DB doc
- Depeche Mode case study
- Digipak
- Digipak vids
- Elberse: Blockbusters book
- Eval overview
- Eval Q1a CONVENTIONS
- Eval Q1b REPRESENTATIONS
- Eval Q2 BRANDING
- Eval Q3a AUDIENCE ENGAGEMENT
- Eval Q3b DISTRIBUTION
- Eval Q4 TECHNOLOGIES
- Female acts
- Final Cut Pro X
- Goodwin
- Industry 2018-19
- Industry 2021
- INDUSTRY summary
- Interactive vids
- Mag ad
- Mag ad audiences
- Merch
- Pitching
- Pixies case study
- Planning docs
- Shoots tips
- Simulacra: Weezer, Weird Al
- Student vids/blogs by year
- Technologies
- TechTips blog
- Twitter feed on blog
- Vinyl
- Vodcast playlist (DB)
- WEBSITE in steps
- Websites I've analysed
Featured post
WEBSITE The steps involved in producing yours
IN THIS POST: A breakdown of how to research websites, what to look for, and an example of an overall 16-step process, plus a list of some...
Wednesday, 18 September 2019
INDUSTRY Metallica biggest tour earner EVER
Monday, 26 August 2019
MERCHANDISE an overview
Saturday, 10 November 2018
MERCHANDISE Metallica tick off fans
These guys are becoming the Man Utd of music, squeezing every angle for money. It's not that long ago they launched their own whiskey line, now it's expensive ($125-500) watches, with 8 themes to pick from.
As they (almost) growled on Enter Sandman:
If I buy before I wake
I pray the lord my brain to take
http://www.blabbermouth.net/news/metallica-watches-have-arrived-video/
Here's a Ppt I put together analysing some samples of their merchandising.
Saturday, 3 November 2018
MERCHANDISING Kylie duvets furnishing fortunes
Tuesday, 16 October 2018
Friday, 6 April 2018
PROMO PACKAGE Slayer digipak, vinyl, figurine + promo videos

I mention beer as a great example of merch below - you can buy both Slayer and Iron Maiden beer in Luxembourg (Auchan), and Motorhead, plus some other branded wine/spirits if I recall correctly. That this is now a common strategy, especially in heavy metal, can be seen from a simple google ('heavy metal beer'). See this Pinterest for a gallery (pic, right comes from it):
A salutary lesson - I'd tapped out a lengthy post on a smartphone using the Android app ... only to see every word blink and disappear (possibly because the broadband connection flicked off). If using this very useful tool, its worth saving a few times to avoid the risk of this...
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| Multi-editionalising has become the norm, certainly for rock/Indie acts |
The Metal Eagle Edition of Repentless is also available. Made of aluminum alloy, measuring 15” X 17” X 3” and weighing in at a hefty 7.8 pounds, the Metal Eagle Edition will house a deluxe digipak of the new Repentless CD plus bonus material detailed below. The limited (only 3,000 copies worldwide) and numbered Metal Eagle Edition will be a direct-to-consumer item and available exclusively via the Nuclear Blast mailorder online stores.

Tuesday, 3 April 2018
MERCHANDISING Whiskey in the jar - branded booze
Here's yet more, including Indie rockers Shed 7:
https://www.mirror.co.uk/3am/celebrity-news/iron-maiden-queen-madness-make-13639252.amp#referrer=https%3A%2F%2Fwww.google.com&_tf=From%20%251%24s
| See IronMaidenbeer.com. |

See TeamRock article for lots of other examples (and a nice Megadeth intertextual ref).
(and here's a further update:)
I mention beer as a great example of merch - you can buy both Slayer and Iron Maiden beer in Luxembourg (Auchan), and Motorhead, plus some other branded wine/spirits if I recall correctly. That this is now a common strategy, especially in heavy metal, can be seen from a simple google ('heavy metal beer'). See this Pinterest for a gallery (pic, right comes from it):
Tuesday, 13 March 2018
DIGITISATION MONETISING Crematory merch voucher with DIGIPAK
Monday, 19 February 2018
MUSIC INDUSTRY 2018 some pointers
UPDATE: Useful review of music video trends in 2918, including the return of mega-budgets for a handful of elite artists:
I was looking for some info on the 1D GCSE exam case study but spotted a number of great articles on here. So here's a few pointers based on the site.
You can find a bullet list I previously did summing up some key music industry points (with many links to posts) here.
AS CDS DISAPPEAR TOURS ARE JUST THE TICKET: 1D EXAMPLE
A
point I make many, many times: the traditional music industry model has
been through disruption from digitisation (though it hasn't rebalanced
the competition in favour of Indies; see Anita Elberse's fascinating
analysis of how big 3 acts utterly dominate Amazon sales, making the
'long tail theory' seem absurd), so labels are looking for new revenue
sources. Merchandise is a key factor - when I went to see The Wedding
Present (UK Indie band) in Luxembourg last year, I got to chat to the
singer after the gig, who was at the merch stall signing his own comic
book range alongside the usual tee-shirts etc.The likes of 1D aren't going to do that. They did sell VIP packages for gigs - something else I saw at a Depeche Mode gig, with multiple tiers including a basic that simply allowed you into the venue earlier to hear the soundcheck. I've blogged on Taylor Swift and Katy b Perry doing this, with fans paying a lot for a selfie opportunity. [meet-and-greets post]
The basic breakdown is clear though - most major artists (Indies too) will gain more from tours than album sales. Even combined with streaming (which is now bigger than physical sales and download sales combined) that remains the case. Getting onto TV ads, film/game OSTs are also potentially lucrative.
Friday, 8 December 2017
MERCHANDISING Thrash metal Pantera baby stroller
Monday, 4 December 2017
MERCHANDISING Metal figurine toys put Maiden ahEddie
Sunday, 5 March 2017
MERCHANDISING Soot 4 loot NIN style
Another example of the infinite possibilities that exist for merchandising, and a novel way of making the audience feel a connection to the artist
http://www.metalsucks.net/2017/03/02/nine-inch-nails-make-dirt-now/
Wednesday, 9 November 2016
INDUSTRY 360 deals rip off or service?
An exemplar of this is the now common 360 deal, wherein an artist signs over a percentage of rights to every money-making activity to their label - in return (in theory) for support from the label. It is a controversial practice from an industry historically mired in controversy over its treatment and exploitation of artists.
| Excerpt from an interview featured on ezine Blabbermouth with the Staind frontman, & (above) Indie innovator Alan McGee (Creation Records) pulls no punches! |
Thursday, 3 November 2016
MONETISING, PROMO CAMPAIGNS, BRANDING The Pixies
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| a branded campaign |
Old-school email is a tool they use very effectively - always integrating their other platforms when doing so. These screenshots largely speak for themselves:
- using staggered video releases to push new releases and tours alike
- they've recorded videos for every album (2) and EP track since re-forming, a growing trend (not least as YouTube plays themselves generate revenue)
- the range of videos work to both please their existing, ageing fanbase (the band date back to the late 80s and were a key influence on Nirvana) and to target a new, younger audience too (for sheer inspiration, I highly recommend viewing a batch of these and/or Depeche Mode videos)
- they offer exclusives to various online ezines; an advantage of multiple videos is that they can offer this to a variety of sites over time
- they highlight Twitter, Facebook and Instagram (plus their website), currently the big 3 of social media (surely users will tire of Twitter eventually?!)
- look carefully at the followers/likes numbers, and you'll get a good example of which platforms are most/least significant for a primarily mature adult fanbase
- the emails are not excessive, but often enough to keep prompting fans into potential purchase of recordings, merchandise or tickets, or at worst to view their video/s or visit their online platforms
- the branding is clear: the P in a circle at the bottom of the email; the banner/masthead across their online platforms pushing the latest album, and a consistent image for their user icons
- recordings are offered in multiple formats, including vinyl and boxsets
- there is also a link for streaming
- this is tied into multiple streaming platforms
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| a few of the emails The Pixies (... the marketing agency they've hired!) have sent me.
Details of the latest, plus screenshots from their platforms, are below the read more line
|
Sunday, 17 April 2016
BRANDING DIGIPAK Anthrax album trailer, vinyl, digipak
What you can learn from this example
- you should have a clear, consistent brand image and concept to promote
- that consistency would extend across multiple platforms and even merchandise
- most artists will change website banners, YouTube icon/banner (etc) to highlight their latest release or tour
- artists increasingly create video content that can be shared (ideally go viral) ... even short promo clips for an album with self-filmed interview-style footage
- artists also increasingly embrace and create content that was seen as typical of UGC/fan-made videos, notably the lyric video
- you can present research into any coursework topic by creating content that takes on a recognised media format: magazine feature, radio or TV interview/chat show appearance, e-zine interview (more informal, including setting), podcast ...
- the Anthrax Twitter's most recent update was on Record Store Day - formats like these are ideal to convey your grasp of industry topics like the role of vinyl; the issues around streaming and revenues; influences ... even technology ...
- ... it could the album producer, songwriter, video director, video editor or cinematographer (especially to discuss technology used: hardware or software) sleeve art designer, record label executive, band management, fans, ... there are many options. Great website content, research evidence, Evaluation content...
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| The self-produced Anthrax new album promo is like an interview or TV feature |
THE ANTHRAX ALBUM PROMO
ANTHRAX DRUMMER INTERVIEWED FOR AN E-ZINE'S PODCAST SERIES, AND E-ZINE ARTICLE ON THIS!
Tuesday, 12 April 2016
INDUSTRY ISSUES SUMMARY Digital streams past physical
Use this post with DISTRIBUTION overview (especially for Eval Q3)
Some thoughts and a list of various issues/examples linked to the impact of digitisation (and convergence - the two should always be linked) on the music industry, the album format and the music video, with some points on marketing (which the video is of course part of) too. I've blogged on everything mentioned below. Don't quote me in coursework - find the source/s I've used or do your own search for other quotable media articles.
Wednesday, 6 April 2016
INDUSTRY It's the Vinyl Countdown
Tuesday, 5 April 2016
UGC unboxing digipak/special editions videos
- the importance of repackaged re-release sets
- re-mastering
- outtakes, demos, alternative versions
- live recordings
- multi-format: CD, DVD, LP
- vinyl and Record Store Day
- additional media: book and patch
- sold through the band's website
- the normally UGC of unboxing
Wednesday, 26 August 2015
WEBSITE Doors bundle t-shirts and vinyl with Light My Fire re-release
IN THIS POST: Discussion of a heritage (60s/70s) band's use of merchandise and social media; analysis of their website including detailed denotation of the features, with screenshots, and a look at their social media integration and audience interaction (or lack of...).This isn't The Doors' main website (though that is linked, and everything here IS featured and sold through their website too), but an online retailer that sells their merchandise, and markets this (I came across this via a Facebook update of the official Doors page, screenshot below the line).
below - analysis on assessing target audience (core/primary and secondary) + more images + detailed analysis of their website...
Friday, 1 May 2015
INDUSTRY Oops I Did It a Game: Play Britney!
Hyperlink below the line







