VidEG: Pixies "Bagboy" (2013)

Much retweeted: notice of tour, vid + free MP3 download

ACT: The Pixies

TRACK: Bagboy

YEAR: 2013

DIRECTOR: LAMAR+NIK

GENRE: Alt rock

MAIN AUDIENCE: 25-44 (recent/original fans), but clearly targeting new 15-24 + possibly younger teens/tweens; M-oriented vid?

LYRICS

Money is recouped by gathering email addresses

I've blogged on The Pixies before: see this post detailing the band's style, including their quirky take on vids (or 'anti-vids'), or this post detailing their classic single-take vid Velouria (more egs here and here; comparisons to Jesus and Mary Chain here)

THE VIDEO IS EMBEDDED AT THE BOTTOM OF THIS POST

LAMAR+NIK often feature non-CGI sculpture-as-title. Reminds me of films like Napoleon Dynamite

IN BRIEF: TYPICALLY ODDBALL, FILMIC PIXIES VID...

• The use of digital media to promote this is exemplary
• its timed to help promote a tour: the MP3 is available free
• with controversial content rendering it unsuitable for pre-watershed UK screening, its main life will be online
• the media language is odd for a music vid, more cinematic in its approach, especially editing
• the central character is a clear representation of a (younger) fan, tho' there may be veiled criticism in there too
• its hard to judge whether this will succeed in appealing to a young, new Pixies fanbase
• there are some touches of creative genius...

SOME BACKGROUND: EXEMPLARY DIGITAL AGE RELEASE FROM DINOSAURS

Users are encouraged to tweet/FB post

This is a great example of an act originating decades ago (so long ago in fact that your blog author was barely out of primary school) that have firmly grasped the challenge and opportunity presented by digitisation and social media. I stumbled across news of a new release on Facebook ... forgot about it ... decided to log in to a Twitter account I've not looked at since setting it up years ago ... and quickly came across a link again.

News of a tour is all over the blogosphere, twittersphere, FB, e-zines and magazines (depending on what feeds you subscribe to of course). The comeback of this band is newsworthy for many publications/outlets, but the killer hook that's guaranteed the print/screen inches, thumbs up, likes, retweets and whatnots is a new video, plus the opportunity to download the track for free.
That last detail helps show the shift from music sales to ticket/merchandise sales for many acts in the digital age, plus revenue more from streaming (often by sharing in the website's, eg YouTube, advertising revenue) than physical sales.

 "You are proselytizing alone listening to the voice with your ears" (sample lyric)

Screenshot taken 4 days after this was uploaded. Note the FREE DOWNLOAD link, + director's site URL

THE VID: BASIC SUMMARY

Short filmic vid-ChrisCunningham-censorship

Can't really embed the vid I'll touch on here given its 147 uses of the f-word and more, but with this in mind you can watch it at http://www.youtube.com/watch?v=zlrbNqs61nU
Directed by Chris Cunningham (rem, a comp. DVD of his vids is available for loan) for the Warp dance act Aphex Twin, the video for Windowlicker is an edgy satire of contemporary US urban, hip-hop cultural tropes and cliches; the far end of the spectrum from Michael Jackson's comparatively effete streetscapes in Bad or Billie Jean.

Clocking in at 10:34, this goes beyond the typical brief diegetic intro we get in many vids - again, a useful comparison would be Jackson (the John Landis-directed Thriller).

Aphex Twin play with gender identity

There's a nice, and not too complicated (the sort of thing you have the facilities as Media students to replicate), effect to create a 38-window streeeetch limo (look for the telltale repeat of light moving across the two women to see the join). The vid also sees gender identity played with (a nod to Judith Butler's 'performativity of gender' theory?), something the band have done in live performances/artshows.
Unsurprisingly, the vid was the subject of censorship - with an equally common response in that 'clean' versions were created, though MTV did receive a fine for airing an uncut version before 9pm.
I've copied in below the informative blurb from the YouTube uploader below, but put this behind a 'read more' rather than remove the swear words contained in this. But first...

Consider this: is there an issue with censoring satire of sweary, misogynistic cultural forms and behaviour, which surely requires the use of swearing and images of misogyny to function with some level of verisimilitude?

There's another useful web feature on this, and Cunninghmam's work: http://www.director-file.com/cunningham/aphex2.html

Now the YouTube text: