MERCHANDISE pinball wizard swimming shorts

There are some really strange merch ideas out there, not least from metal acts...

80s 90s BILLION DOLLAR BABIES

Yeah, it's another mystery intertextual ref - try adding the words Alice Cooper to a Google (or, hey, a privacy-friendly DuckDuckGo)

Blabbermouth on Guns n' Roses hitting the 1billion views landmark

Just look at the levels of engagement (screenshots from Aug 27th 2018):

And here it is...

1 of the most expensive vids ever produced (still!)

PROMO PACKAGE Slayer digipak, vinyl, figurine + promo videos

I mention beer as a great example of merch below - you can buy both Slayer and Iron Maiden beer in Luxembourg (Auchan), and Motorhead, plus some other branded wine/spirits if I recall correctly. That this is now a common strategy, especially in heavy metal, can be seen from a simple google ('heavy metal beer'). See this Pinterest for a gallery (pic, right comes from it):

A salutary lesson - I'd tapped out a lengthy post on a smartphone using the Android app ... only to see every word blink and disappear (possibly because the broadband connection flicked off). If using this very useful tool, its worth saving a few times to avoid the risk of this...

NB: As the article link contains a filter-unfriendly term, its below the read more line; the videos featured in the article contain uncensored strong language.  

Multi-editionalising has become the norm, certainly for rock/Indie acts

Here's a new example of a converged, web 2.0 promo package featuring a digipak, vinyl and download options, a range of videos/vodcasts, and even an expensive, limited edition figurine (which clearly anchors the core target audience as being male, and a significant chunk of this being older males, more likely to be able to afford such items!).

The Metal Eagle Edition of Repentless is also available. Made of aluminum alloy, measuring 15” X 17” X 3” and weighing in at a hefty 7.8 pounds, the Metal Eagle Edition will house a deluxe digipak of the new Repentless CD plus bonus material detailed below. The limited (only 3,000 copies worldwide) and numbered Metal Eagle Edition will be a direct-to-consumer item and available exclusively via the Nuclear Blast mailorder online stores.

You really should take note of this - regardless of how simple your brief might be, your ads should reflect not just a digipak but the wider range of options we expect to see today, and you could usefully (and very simply) spin off digipak designs into vinyl editions - after all, the digipak is in large part mimicking vinyl sleeves.

Thrash metal icons Slayer are signed to an Indie label, Nuclear Blast, who astutely exploit the potential of online tools to engage with the existing fanbase and target a new audience for their acts.

MALE GAZE in video

I've blogged on this many times; just added a fresh look, using Guns n' Roses, Miley Cyrus and Avicii videos as examples, here.

UGC-style self mash-up: Depeche Mode's Martyr

I wasn't so sure myself if this was UGC or official, but apparently, yes, it is the 'real' deal!

A short post this one...
Its not the first time I've used Depeche Mode to exemplify postmodernism (or layering for that matter!) ... and, okay, I'm a fan so I'm more inclined to note what they do

But ... this is a great example of a band - amongst the world's highest selling, who have been selling global stadia for decades now - using something that has the look of a fan-made video, or UGC, as an official release.

CONVENTIONS Links - points - playlist: videos I've blogged on

NB: Some highly controversial videos are listed, including 'explicit' versions; some descriptions also contain some strong language.

See this post for some quick links on useful videos to consider.

As I've discussed analysed a great many videos, the list below is partial. The initial order reflects the order from the video below, with the 1st 20 selected to highlight some of the very, very many themes when considering not just conventions of but also reception for music videos. Most can be found in a playlist too - a great way to expose yourself to a wider range of videos than you are likely to be familiar with!!!

More details after the list, but the 20 videos featured in the video (several times more in the playlist) are:

1. Morbid Angel - Existo Vulgore (2012) 
2. Sepultura - Ratamahatta (1996) 
3. PIXIES - Velouria (1990) 
4. Sinead O'Connor - Nothing Compares to You (1990) 
5. Miley Cyrus - Wrecking Ball (Terry Richardson, 2013)
6. Miley Cyrus - Wrecking Ball (ChatRoulette, 2013)
7. Baauer - Harlem Shake (2012) [this is a '10 best of' montage] 
8. Depeche Mode - It's No Good (Anton Corbijn, 1997)
9. Weezer - Buddy Holly (Spike Jonze, 1994)
10. Guns n'Roses - November Rain (1992)
11. Bjork - Crystalline (Anton Corbijn, 2013)
12. Sepultura - Refuse, Resist (1994)
13. Megadeth - Wake Up Dead (1986)
14. Pixies - Bagboy (Lamar + Nik, 2013) 
15. Daft Punk - Da Funk (Spike Jonze, 1995)
16. Rihanna - Pour It Up (Vincent Haycock, 2013) (EXPLICIT tag)
17. Fragma - You Are Alive (2001)
18. Guns n'Roses - Welcome to the Jungle (1987)
19. Robin Thicke - Blurred Lines (Diane Martel, 2013) [parody]
20. Lily Allen - Hard Out Here (Christopher Sweeney, 2013) 

Morbid Angel - Existo Vulgore (2012) [post]
You do need to know the conventions ... but there is much more scope to challenge them than with, say, film, as videos like this, and the following Sepultura example, demonstrate. Rammstein and Rage Against the Machine have also produced examples I've blogged on, bringing Snow White and the Beach Boys into the extreme metal genre.


Sepultura - Ratamahatta (1996) [animated] [post]
A great example of turning conventions and expectations on their heads, this is an animated video by the Brazilian hardcore thrashers! You should also take from this that inspiration can come from anywhere, including music genres (and other media, as with Morbid Angel) you may not be a fan of! [Wiki]

Here's a bonus, highly countertypical further example: old-school (these guys were well established pioneers when I was still at school!) death metallers Obituary, who for their latest single have turned to Flash-animation and a Scooby-Doo style cartoon ... be advised though: it is, nonetheless, gory. You can read about it and watch it here.

PIXIES - Velouria (1990) (one-take video) See Wiki and my posts on this.

WEBSITE Sly Antics Leeds, UK Indie band

IN THIS POST: Analysis of an obscure UK Indie band's website (for comparison with the major acts The Doors and Lady Gaga already blogged on), discussion of how relevant or not band websites are given the role of social media today, and points on why you might want to go for a local/student band rather than international stars... I also reviewed their debut video, making this more of a look at an all-round promo package. The band have tweeted me since I did this post; you can check out Sly Antics' updated website here!

WHY PICK A SMALL-TIME LOCAL (or even student) ACT?
You might be tempted to produce a promo package for a (currently!) small-time, local act rather than for a major existing/heritage artist. The closest I've seen to this thus far has been a group who entered the recording studio with their own metalcore band, Sunburnt in December, to produce the broadcast-quality audio required. Two of the group were Media students. This meant they had their cast sorted and a keen, engaged cast at that! They had to be ... they set up for performance footage in a snow-covered Yorkshire moors setting in what remains one of my favourite students videos (even if there were opportunities to improve it...). This video also came to mind given the main website image Sly Antics use (they also use it for other social media logos)

NB: the video contains FLASHING LIGHTS and scenes of horror

The advantages of local or student bands are evident:

UGC CONVERGENCE Ezine's fake 8bit metal game trailer

To the eyes of someone who fondly recalls all the acts featured, and the (now!) primitive video game style pastiched, this is a thing of marvel - a trailer for a notional 'Monsters of Rock' game, with legendary bands, music videos and singles all rendered in this retro style.

Bands like Chipmunk have of course made tech-retro part of youth/popular culture, fetishising 80s synths and recording technology.

This is a great example of convergence - an e-zine (there is no print edition, and Facebook, where I most often find its articles, seems to be, in effect, its key 'distributor') commissioned a fake retro video game trailer, 'published' on YouTube, featuring lo-fi music renderings that recall the early mobile phone ringtones.

[below the line: a second example, some important terminology, and points on 2005's Crazy Frog...]

DIGITISATION Slash webisodes

Vodcast-style webisodes used adroitly by Slash to market his forthcoming new album: http://loudwire.com/slash-releases-final-apocalyptic-love-webisode/

Layering in Vids: DMode egs

See also: http://musividz.blogspot.com/2012/02/digipakmag-ad-layering-is-key.html

I've mentioned this quite a few times - and would welcome any egs you come across yourselves as a comment to this post (including URL of any posts on this). I'll mainly ref DMode vids which you can watch from the DVD - there's also a DVD of Corbijn's vids for U2 for you to borrow.

Anton Corbijn is a notable example of a director who makes extensive use of the creative possibilities of the use of multi-layering, as the pics below from various DMode vids [see Wiki] show. However, he often diegetically projects on location rather than edits in afterwards.

A good example of

M.LANG: Focus on singer; CCTV style

The drummer's face is less important than his instrumental prowess. Note too the low-key lighting, customary for rock/Indie (glossy, high-key for pop)

Its one of the most immediately apparent Cs+Cs of m.vids: the focus on the lead singer, through frequency of shots plus framing. The Evanescence What You Want (embedded below, but you can also watch it sans ads at http://loudwire.com/amy-lee-interview-evanescence-return/) is a classic example:

Whilst we get a few shots (MS through to LS) interspersed of band members, often at high angles which obscure their faces and put the focus on their instruments, we never go more than a few seconds without seeing the singer, Amy Lee. She is mainly shown in CU to MS, though some LS included to highlight the band and the excited crowd, a key ingredient in many performance-centred vids.

Predominately CUs to MS of the singer, tho' some LS/MLS are framed to show aud/band

Fans + band both in shot, tho' note the central framing of Lee

The focus-on-singer is taken further by having the singer perform the fictional or dramatic role which we crosscut to; she's running (note the use of coloured contacts as a small but key component of mise-en-scene: this carries connotations of animal/beast, or supernatural) ... and that's pretty much it! This being an emo/goth/metal/Christian metal (there is debate over label applies!) band, moody night-time urban settings, including a bridge (connotations of depression, the suicide impulse?) are used. The band's music is mournful but aggressive, and many commentators would note that many forms of rock music carry out a cathartic function by speaking directly to (especially) teen/youth audiences about tough times and experiences; general alientaion, but doing so in a musical format that enables a physical release of pent-up emotions, and a sense of fellow-feeling/not being alone.

THEORY LINK: The Uses + Gratifications model; especially relevant to discussions of Audience

Band branding is a matter of balance though: a band who are exclusively linked to the image of a singer may suffer issues of credibility. So, while the looks and body of Amy Lee are clearly strongly highlighted throughout this vid, we do, towards the end, see the other band members briefly enter this fictional part of the vid (whether concept or narrative I couldn't say without studying the lyrics).

These sequences are linked by helicopter shots of a city at night: connotations of Gotham City?!

Another band whose vids showcase this tension between highlighting the most marketable component of the band whilst striving for the credibility so critical within the broad rock and Indie genres: Guns 'n' Roses. At their 80s/90s peak, every band member was world-famous, but now its become the sole property of the original singer, W. Axl Rose. Its fascinating to see how 'the band' came back into focus over the years as the marketeers tried to balance out the need to foreground Rose with the need to convince fans that this was a tight unit, a credible, authentic band. One of the iconic images of their ealrier period was of guitarist Slash guitar soloing on a mountain top, seen through a helicopter shot, part of what was then the most expensive music video ever made, November Rain - their videos had to reflect the exceptional fame and standing of the band members, not just the singer.

Heteronormative: crude male gaze

G'n'R are also a useful example of the second point: how 'looking' is handled in vids. Mostly we see a very direct gaze to camera, part of the mode of address making a direct link to the audience. But we also see this notion of looking deconstructed, often in quite a postmodern fashion. G'n'R's Welcome to the Jungle vid features Axl Rose playing himself getting off a bus in LA as a straw-chewing hick (reflecting his actual backstory) ... but he stops to look in the window of a TV store, where every TV is playing a video of ... Axl Rose, performing with G'n'R!

Thats Axl on the TVs...and Slash the passed-out bum outside!

Here, with the Evanescnce vid, we see another very common meme employed: much of the footage of Amy Lee running is distorted and rendered as CCTV. This clearly signifies the zeitgesit: 'we' (in the West) are accustomed to being tracked by cameras in much of our daily lives (there is CCTV in F6, the F-Hall etc!). This device carries connotations of criminality: through Crimewatch and the likes we associate CCTV with criminal behaviour. If you watch Misfits you'll have seen this used. BUT ... aren't there also connotations of the singer's feeling of claustophobia and pursuit at the hands of the very fans being targeted with this video?
ALWAYS  look out for and give consideration to the use of looking/gaze in any vid, including your own!!!

Here's an interesting example of how a vid can be used to signify the personal disclocation of a singer, through the prism of Beavis and Butthead...

Using TV set for live footage: Iron Maiden vid

Another vid picked out by Rob, Iron Maiden's Can I Play With Madness. A few brief comments, perhaps the key being the use of a TV set to bring in live footage rather than simple crosscutting:
I think the key to grasping this vid is the use of teens. Maiden were a mature band with a decade of growing success behind them, but needed to ensure they appealed to teens to continue selling.

Notable too that the teens are both M+F.

From an international perspective, we get a trad cliche of England: rural, castles...

But this was also a band at the peak of their commercial success: the SFX denote a high-budget vid - taking in elements of sci-fi, fantasy, horror (traditionally male genres, matching with the music genre)
The TVs to provide live footage is a nice touch; a postmodern element (Guns n Roses would use this approach in Welcome to the Jungle and other vids too).
[Iron Maiden - Can I Play With Madness]

Greatest single take video ever?

UPDATE FEB 15TH 2012: In searching for GnR's "Garden of Eden" as another eg, I stumbled upon this wiki of 'one shot music videos', which lists a great many more examples!!! See http://musividz.blogspot.com/2012/02/one-shot-vids.html

Pete Fraser flagged this one up on his blog; interesting viral-style vid ... yet budgeted at a cool $40k!!!!

The info is notable too, and I'll copy this in below; highlights the industrial nature of the vid - but also the commercial/ideological aspect (a counter to a negative comment about a US town that local businesses felt would be, well, bad for business).

It also suggests a possible major new name to put up there alongside the likes of Spike Jonze in director Rob Bliss, who's aim does seem to be create 'event' vids that achieve viral success but also mainstream news coverage (thus the World Record hook to this vid's backstory). And, of course, what he's done here is what most of you will do: create a new vid for a previously released track (you can work with a band on newer material if you can make the links). His main contact link is a Facebook page.

The idea of the single take is not new, but its so technically difficult to pull off, with cast, props (eg cars), sound [not such a factor for music vids!] and cameras having to be in such perfect synch, that it remains rare. In film, the openings of Touch of Evil (Orson Welles, 1958) [watch it here] and Halloween (John Carpenter, 1979 [USA 1978]), two very different films, remain legendary for their accomplishment as single-takes, while the film Russian Ark (Aleksandr Sokurov, 2002) took this to a new level - a plush, high production-value movie entirely shot in one take:

More recently still, The Silent House (Gustavo Hernández, 2010), a Uruguyan production, took Carpenter's achievement a stage further in making the entire feature-length horror as a single-take.
As much as I admire this tremendously accomplished vid (ask any of last students and they'll tell how difficult it is to get accurate lip-synching, here achieved in one continuous take with a huge cast!), I still prefer the Pixies vid, created as a response to the machinations of the record industry (they were to be barred from appearing on Top of the Pops if their single didn't have a video); nothing like as technically brilliant as this, but a moment of raw inspiration rising from a flash of anger (and a superior tune to boot!)...

THE PIXIES VID

...and here it is in real time!

I've blogged on this before: you couldn't create such a vid and expect a good mark no matter how profound an artistic statement it is, as you simply won't rack up any marks for the many technical aspects assessed in the markscheme ... BUT I highly recommend creating just such a 2ndary vid to show your wider appreciation of the industry/audience (and to have a little fun too!)...

THE YOUTUBE BLURB

Uploaded by sefllc on 26 May 2011

The international sensation that Roger Ebert calls "The Greatest Music Video Ever Made."

http://facebook.com/GRLipDub | http://twitter.com/GRLipDub

Rob Bliss Events: http://facebook.com/robblissevents

Media Inquiries: robblissgr[at]aim.com
Business Inquiries: ask[at]sefvideo.com

"The Grand Rapids LipDub Video was filmed May 22nd, with 5,000 people, and involved a major shutdown of downtown Grand Rapids, which was filled with marching bands, parades, weddings, motorcades, bridges on fire, and helicopter take offs. It is the largest and longest LipDub video, to date.

This video was created as an official response to the Newsweek article calling Grand Rapids a "dying city." We disagreed strongly, and wanted to create a video that encompasses the passion and energy we all feel is growing exponentially, in this great city. We felt Don McLean's "American Pie," a song about death, was in the end, triumphant and filled to the brim with life and hope." - Rob Bliss, Director & Executive Producer

*Note: The "NEW WORLD RECORD" designation refers to size and scope, not duration.

This $40,000 production was entirely financed by the generosity of local sponsors that are listed below:

PLATINUM SPONSORS:
Amway Grand Plaza Hotel (http://amwaygrand.com/)
EasyRotor Helicopter (http://easyrotor.com/)