Deadlines/Brief

Music videos are so 80s/90s, right? They belong with the era when MTV screened wall-to-wall vids instead of 'reality' TV? Try telling that to the millions who bought Gangnam Style; were they really simply loving the music? 1.6bn (and still climbing) have viewed the video on YT, not to mention the many re-makes (school eg, eg2), viral ads + celeb link-ups (even political protest in Seoul) - and it doesn't matter how legit it is, this nightmare for daydream Beliebers is making a lot of money, even from the parodies + dislikes. All this for a simple dance track that wouldn't have sounded out of place in 1990 ... but had a fun vid. This meme itself was soon displaced by the Harlem Shake. Music vids even cause diseases it seems!
This blog explores every aspect of this most postmodern of media formats, including other print-based promo tools used by the industry, its fast-changing nature, + how fans/audiences create/interact. Posts are primarily written with Media students/educators in mind. Please acknowledge the blog author if using any resources from this blog - Mr Dave Burrowes

Showing posts with label 4AD. Show all posts
Showing posts with label 4AD. Show all posts

Saturday, 26 September 2015

ARTIST CASE STUDY: THE PIXIES archetypal Indie

Accompanying the lyric 'half asleep with a loaded gun' (Silver Snail) - there are few more inventive, inspiring, and downright stunning videos out there than The Pixies' collection, especially their videos since 2013
there is an embedded YouTube playlist of ALL videos covered at the bottom of this post
Glamourpusses!
IN THIS POST: I embed and briefly discuss the music videos of The Pixies, an archetypal Indie or alternative rock band that date back to the late 80s and are still going strong, with a strikingly different set of videos since 2013. Their antagonism towards playing the promotional game, ironically, made them a key influence on a generation of video-makers. They initially refused to produce any videos then produced some challenging videos that consciously broke many of the most basic conventions of the format. No research into the conventions of music video as a format would be complete without some reference to this lot. The cinematography and use of colour (even the brilliant use of the generally cliched slo-mo tool) in their recent videos is simply STUNNING.

WHO ARE THEY?
The Pixies are a seminal alternative rock (Indie) band who remain a key influence today, both for their music and their highly distinctive music videos. In the UK they're signed to 4AD, part of the Beggars consortium (Indie labels often join forces in co-ops to cut marketing costs and to get better distribution deals, economies of scale etc) - see wiki and this Guardian article on its iconic status. Their music fused Latin influences with rock; a bossa nova, 50s rock sound with a hard edge and dark, literary lyrical themes.

DESCRIBE THEIR BRAND
Key to understanding the Pixies is their sense of coming from humble working class backgrounds in Boston; they did not need to see themselves as a glamorous band and this is reflected in their videos. In a word, authenticity is the hallmark of their branding - this is not a band who would indulge in the fakery most bands will accept in order to maximixe their media exposure and record sales. Their everyday clothing, in contrast to the extravagance of bands like KISS and Bon Jovi that dominated much of the 80s, would bring back a vaguely punk aesthetic to the rock world, with the likes of Kurt Cobain reflecting the Pixies' look. They were edgy too - some of their lyrical themes are very dark indeed, though often based in classic literature, and were prepared to play with basic song structure too.

THE WILL TO BE WEIRD: THE ULTRA SLO-MO SINGLE-TAKE VELOURIA

Yes, a shocker in some regards, but an uber risque effort, and commercial suicide in others. Or, simply: inspirational! Why don't you take on such an idea as an extra (not a main) production? There are several mainstream examples of such alternative, additional videos alongside the main production.

Their videos stand almost as anti-videos, an apparent refusal to play the promotional game:
As "Velouria" (their first single from Bossanova) was climbing up the UK Top 40, the band was offered a spot on Top of the Pops. However, a BBC rule stated only singles with videos could be performed on the show. To counter this a cheap video was made, with the band being filmed running down a quarry.[105]In the video, twenty-three seconds of footage (the time needed for the band members to reach the camera) is slowed in order to last for the duration of the song.[106] However, the effort in filming the video was in vain; the Pixies did not play "Velouria" on Top of The Pops while the single was in the charts.[107] [Wiki]

Tuesday, 22 September 2015

Some female fronted acts


A notorious Top of the Pops 'performance' from 1988...

Simply coming from looking at ideas for a female performer, here's a few female acts you could look at. (Wiki on all-female bands amongst many lists you could consider)

I've dropped in some videos below; other iconic names to consider...
Eurythmics: singer Annie Lennox was notorious for her ginger skinhead, men's suit, boxing gloves...
Grace Jones: ripped off by Lady Gaga (and Madonna to some degree) and seemingly a forgotten 80s icon, known for her shocking fashions and muscular physique.
Madonna - so many looks, not least the Gaultier conical bra
Lady Gaga - especially the Bad Romance video...
Sinead O'Connor - horrified her record company with her tightly shaved skinhead (Skunk Anansie had less flak years later, but she was hard rock)
PJ Harvey - mixed feminine with masculine boots etc
Kate Bush - mixed classical dance with pop
Dusty Springfield - the extraordinary beehive, later taken on by Amy Winehouse
Neneh Cherry - challenged the pregnancy taboo by appearing on TotPops with her large bump
Siouxsie Sioux - there aren't many more iconic looks than this
Toyah - the facepaint as much as anything else 
Joan Jett; Suzi Quatro - both took on the very male bike leathers look
Bjork - a true visual artist and pioneer
Wendy O'Williams - a terrifying performer

Honeyblood (YT channel)

A 2-piece act with some smart videos maximizing the potential of limited locations, for example Bud:



ALL ABOUT EVE
Martha's Harbour, a 1988 hit, remains an iconic example of ethereal pop music, often featured on 'chill out' and 'ambient' soundtracks, with several remixes also floating around.
Fans have filled the void with their own videos - you could create the definitive version, and create a sizeable online following in doing so... The top hits for this still popular track are mostly fan-made stills montage videos

Despite the notorious Top of the Pops appearance, there's no official video for the track; the playlist below features 1 of many fan-made videos, a simple stills montage.

Their Vevo channel has just one video, and this is it...
DECEMBER


BELLY - SEAL MY FATE
We'd discussed the Super-16 look; that washed out, colour flare, damaged aesthetic - which has been clumsily overdone in many videos. You can see it here in this Belly video, one of several I've grabbed from a 4AD playlist (a particularly significant, alternative Indie label, part of the Beggars empire - as is Craig McNeill, who we'll hear from shortly at the ASFF...). Fairly conventional performance video overall, including some horsing around footage which gives a sense of privileged access - the specific trick with the drumsticks is rather nice:

Tarnation also use a Super-16 style in their very basic You'll Understand video.

LUSH - LADYKILLERS
Key technique here is using pans as a tool for dynamic editing, panning left and continuing or reversing the action in the following shot, sometimes using it almost as a wipe effect. The film titles-style playing with shapes is noteworthy. You could argue the flashing light effect is overdone, but it connects to the nightclub element of the lyric. The studio setup is a bit different too, and the shot variety, angles and sheer pace of editing all help to get across how brimming with attitude this band are.


Thursday, 23 February 2012

INDUSTRY/NEW MEDIA Indies challenge majors?

Indies hit an impressive 25% of market share in 2011:
independent labels – small companies not tied to the "big four" of Universal, Sony, Warner and EMI – had an unprecedented 25% share of the 113m albums sold in Britain in 2011. But industry observers say that what will perturb the majors more is the worldwide extent of Adele's breakthrough.
With EMI now effectively swallowed up, the big 4 is now 3; just THREE companies accounting for 75% of all music sold in one of the biggest music markets in the world.
The Guardian article notes the influence of digitisation here:
But Martin Mills of XL's parent company, Beggars Group, which also runs its sister label 4AD (whose Bon Iver is nominated for a Brit too), attributes the rise of indie to several factors. The most important is the internet having levelled the playing field. "You can be a little guy playing by little guys' rules, but that doesn't stop you from accessing the world market," said Mills. "Bigger players are in trouble, because online challenges [illegal downloading] have harmed their businesses more than they've harmed us."
Read the full article at http://www.guardian.co.uk/music/2012/feb/20/adele-brit-awards-indie-success