Please take heed of the warning below - this post is about videos/music subjected to censorship, so view/read with caution and not with younger children in sight of your screen.As I recently returned to this topic, I've added a few more examples below, and I'll develop this further when time permits, perhaps into an exam case study on the mediareg blog (where there are further resources on this). Use the censorship tag to find more on this blog.
Here's a fairly recent example that I've blogged on in detail over on the mediareg blog.
AmazonUK). I'll be reading Southall's book shortly - available on Kindle Unlimited if you're a subscriber.
Brian Southall’s history of the songs, performers, record covers BANNED by ‘the authorities’ includes the incredible facts behind stories such as…
Roger Daltrey trying to perfect Sonny Boy Williamson’s stuttering, Cliff Richard banning himself, the airbrushing out of Alice Cooper’s ‘penis’ on a record cover, and attempts by USA citizens to get Justin Bieber deported to his native Canada.
Did you know that Serge Gainsbourg’s ‘Je T’Aime Moi Non Plus’ was the first single banned from UK’s Top of the Pops and that before that No.1 hit with Jane Birkin he’d completed an earlier version with Brigitte Bardot?
What was the real reason the Sex Pistols were prevented from topping the singles chart with ‘God Save The Queen’ in Silver Jubilee week 1977?
Why did a falling out between Terence Stamp and The Smiths create a collectors’ item in 1984?
Boycotted, banned and the subject of death threats – what exactly was The Dixie Chicks’ crime in 2003?
NB: we also discussed the economic context of the music industry: the concentration of ownership (one of Chomsky's five filters in his propaganda model; filters remove radical counter-hegemonic content before it can shape public discourse or opinion), or consolidation as free market apologists would prefer.
With such scale, the pressure from threats of boycott, often exerted through campaigners targeting advertisers who put ads on some other wing of a conglomerate, can be immense - advertiser power being another of Chomsky (and Herrmann's) propaganda model. Madonna lost a multi-million Pepsi sponsorship when she dared to depict a black Jesus in her Like a Prayer; Time-Warner famously pulled Ice-T's Cop Killer after facing high level political and police pressure, and threats from shareholders. Ice-T now claims the decision was his; he left the record label after the row over this - the Wiki is a short, informative read, but you can find further accounts easily.
When I started out, [Warner] never censored us. Everything we did, we had full control over. But what happened was when the cops moved on Body Count they issued pressure on the corporate division of Warner Bros., and that made the music division, they couldn't out-fight 'em in the battle, so even when you're in a business with somebody who might not wanna censor you, economically people can put restraints on 'em and cause 'em to be afraid. I learned that lesson in there, that you're never really safe as long as you're connected to any big corporation's money. [Wiki]