We looked at Megadeth's Peace Sells, with its ultra-fast paced editing style (to the point of looking like flashing lights - we also mentioned there are regulations on this due to issues around epilepsy) and its deconstruction of the classic/cliched vocalist shots, using an ECU of the singer's mouth alone. Also Daft Punk's Da Funk (from the mind of director Spike Jonze) which is an extreme example of the use of diegetic sound - continuously (we also noted the use of narrative enigma initially, not instantly revealing the dog's head).
Iron Maiden's Can I Play With Madness was another example of TV (or computer/phone) screens being used within the narrative/concept footage to present performance footage, rather than crosscutting between the two.
New Order's True Faith also features this, and is a good example of a concept video: there is no direct tie to the lyrics, but there is a coherent narrative nonetheless.
Weezer's Buddy Holly (Spike Jonze's trademark style again) is a great example of a postmodern text, with multiple layers of intertextuality - and a good example of why French postmodern philosopher Jean Pierre Baudrillard argues there is no coherent reality; everything is a signifier of a signifier in an endless trail with no ultimate true or definable reality. We see a 70/80s US sitcom set in the 50s featuring Weezer through the magic of green screen technology! [Wiki on this vid]
New Order - True Faith by hushhush112
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