An artist-led alternative to the giants like Spotify
What that means is that People – the platform – will not be a home for big exclusives, for must-listen Mondays, for tomorrow’s hits today. It’s a place where artists can place their unfinished work, their ephemera, the stuff that doesn’t fit into their main body of work, but which they feel has worth. They don’t need to do complicated licensing deals – as long as they have a login, they can upload their own music – and if they want to take it down and rework it for something else, they can. People is a place for artists to do what they want, entirely free of commercial expectation.“Take a band that releases 10 songs on a record,” Bryce says. What about the other 30 songs they didn’t release? What about the way those songs changed? What about the out-takes? All that stuff is fascinating, but it doesn’t have a place where it can live. Hopefully this will be an environment where new types of music, new types of collaboration can pop up that don’t fit in with a standard release. If it’s just National B-sides, it won’t be a success.”Sign up for the Sleeve Notes email: music news, bold reviews and unexpected extras“It feels like one of the major reasons ‘pro’ musicians get caught up and lose focus, consistency and confidence is because they sometimes have to wait to put albums out months after they are done,” Justin Vernon says, “and that really screws with your rhythm. So for me, People is a necessity for publishing certain music without cause for PR alarm, or any other reason than just to publish it.”“It feels like one of the major reasons ‘pro’ musicians get caught up and lose focus, consistency and confidence is because they sometimes have to wait to put albums out months after they are done,” Justin Vernon says, “and that really screws with your rhythm. So for me, People is a necessity for publishing certain music without cause for PR alarm, or any other reason than just to publish it.”
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