Deadlines/Brief

Music videos are so 80s/90s, right? They belong with the era when MTV screened wall-to-wall vids instead of 'reality' TV? Try telling that to the millions who bought Gangnam Style; were they really simply loving the music? 1.6bn (and still climbing) have viewed the video on YT, not to mention the many re-makes (school eg, eg2), viral ads + celeb link-ups (even political protest in Seoul) - and it doesn't matter how legit it is, this nightmare for daydream Beliebers is making a lot of money, even from the parodies + dislikes. All this for a simple dance track that wouldn't have sounded out of place in 1990 ... but had a fun vid. This meme itself was soon displaced by the Harlem Shake. Music vids even cause diseases it seems!
This blog explores every aspect of this most postmodern of media formats, including other print-based promo tools used by the industry, its fast-changing nature, + how fans/audiences create/interact. Posts are primarily written with Media students/educators in mind. Please acknowledge the blog author if using any resources from this blog - Mr Dave Burrowes

Saturday, 16 March 2019

PIXIES PODCAST promo perfection?



see below for more




That subtle wee bit of alliteration has a serious point - this is a great example of how music marketing is changing, and the strategies available to artists who don't have the backing of big 3 distribution + marketing departments them.

Just like Depeche Mode's fan takeover of their Facebook while they toured in 2017-19, this podcast series, going behind the scenes on the upcoming new Pixies album, has generated a lot of media attention, both from the mainstream, mass media (Rolling Stone, Guardian etc feature articles) to niche ezines.

This isn't a million miles away from common practice in the film industry, where trying to build up buzz and anticipation with teaser trailers, production/on-set video diaries, film festival diaries (Hot Fuzz did all this) is common.

Its both utilising and sidestepping mainstream media at the same time, and podcasts can be monetised themselves if they chose to (but as a promo device for an album and tour the Pixies won't charge).






Guardian, reflecting Pixies' older fanbase
NME, reflecting their credibility and ongoing appeal to a youth, Indie audience

Rolling Stone, the older end of their audience again



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