Deadlines/Brief

Music videos are so 80s/90s, right? They belong with the era when MTV screened wall-to-wall vids instead of 'reality' TV? Try telling that to the millions who bought Gangnam Style; were they really simply loving the music? 1.6bn (and still climbing) have viewed the video on YT, not to mention the many re-makes (school eg, eg2), viral ads + celeb link-ups (even political protest in Seoul) - and it doesn't matter how legit it is, this nightmare for daydream Beliebers is making a lot of money, even from the parodies + dislikes. All this for a simple dance track that wouldn't have sounded out of place in 1990 ... but had a fun vid. This meme itself was soon displaced by the Harlem Shake. Music vids even cause diseases it seems!
This blog explores every aspect of this most postmodern of media formats, including other print-based promo tools used by the industry, its fast-changing nature, + how fans/audiences create/interact. Posts are primarily written with Media students/educators in mind. Please acknowledge the blog author if using any resources from this blog - Mr Dave Burrowes

Tuesday, 2 February 2016

INDUSTRY Can we judge a hit anymore? Rihanna's Anti


Huge amount you can glean from this:
  • very precise info on how the US industry officially calculates what streams are worth as notional sales
  • an analysis of the confusion over whether Rihanna's new album is a smash hit or a serious flop
  • a range of (often hyperlinked) examples of large-scale tie-ins that's seen Samsung especially pay to distribute 1m copies of various albums (including Anti) - not forgetting the controversial U2/Apple case
  • a new twist on the use of websites as a promotional tool (Rihanna's bewildering recent effort)
  • her full-on use of social media to tease and trail the album ... then delays ... then confusion between streaming company Tidal (she's a major stakeholder) and record label Universal...

Saturday, 30 January 2016

INDUSTRY How far have revenues fallen?

The article below details the financial struggles of a range of bands - acts with sizeable followings, radio airplay and critical acclaim. At their level, touring and merchandise still aren't really paying the bills, with minimal money coming in from actual record sales.

They note that even the fees for their music being used in ads has steeply declined. The flipside is the potential of digitisation to slash costs and directly engage with (and monetise) an audience.

Just how far have revenues fallen then? The actual figures are quite shocking - from a global $40bn industry to just $14bn in 15 years as digital piracy took off from 1999.

The music industry has been in steady decline since the early 2000s as illegal downloads and then the rise of streaming took gargantuan chunks out of record sales. The situation is not improving, with global revenue for music dipping below $14bn for the first time in 2014. It was $40bn in 1998. 

Understandably this hits artists not shored up by the big labels the hardest. Nothing in music pays what it once did, and the decline will likely continue.
We’re in an industry where over 90% of releases never recoup the money spent on them,” he says. “The industry underwrites failure as a necessary part of its operation and looks to the supercharged successes of a very small number of artists to cover the losses. That’s pretty dysfunctional. The number one challenge facing a new artist is a financial one: become profitable or cease to exist in the medium to long term.”
Wale believes that by thinking on a more realistic scale, and with advances in technology, it is still possible to make an income from music. “I think now, more so than ever, it’s very possible – especially for a solo artist – to make a cottage-industry scale success without any outside help whatsoever. Obviously this has been facilitated greatly by the internet and the emergence of online networks, fan-supported releases and a number of great discovery platforms. All the tools are really there for someone to go out and do it themselves.”

Friday, 29 January 2016

INDUSTRY How Rihanna represents digitised disrupted new norm

Lengthy feature, packed with highly quotable lines (music video has displaced audio for current generation, Rihanna makes money from social media driven sponsor/endorsement contracts than music sales...)

Wednesday, 27 January 2016

RIHANNA bitch video (post-)feminist or misogynist?

The New Statesman columnist was under no doubt this was a misogynistic video
NB: THE VIDEO UNDER DISCUSSION CONTAINS SEXUAL IMAGERY, AS DO SOME OF THE ARTICLES DISCUSSING IT

Some reactions

Tuesday, 26 January 2016

Websites I've analysed

All of the following have been analysed in some detail (that's the 'website analysis' tag link)

Pilgrim (student; pop/Indie band) [blog]
LittleMonsters (Lady Gaga fans) [blog]
Sly Antics (UK Indie band) [blog] - note: by unfortunate coincidence, they changed their website almost within hours of my reviewing what is now their old one!

I've also briefly looked at a range of website banners, top links, basic branding, in this post:

  • Adam Ant (US and UK)
  • Alt-J
  • The 1975
  • You Me At Six
  • Charlie Puth
  • Shawn Mendes
  • Bullet For My Valentine
  • AC/DC


WEBSITE add games

The website mimics the TV show...
This is a simple example of the sort of feature that can add an edge to your website, make it a richer experience. I've not looked for any examples at this point, I'm not claiming it as a convention, merely an option.

There are lots of apps and web-based tools that will generate a game for you. I've used the Family Fortunes game builder, for example, to test on some British Cinema terminology knowledge (try it here). You could do a quiz based on song lyrics; video screenshots; track titles (name the tracks from album x)...

If you have any suggestions/examples, please leave a brief description and URL as a comment.

Options from the free web-based Family Fortunes game builder
...

Wednesday, 20 January 2016

Final Cut Pro X getting started

I added some specific tips to the mediatechtips blog: FCPX tag.

I've also added a vodcast in this post, covering most of the basics you need.

FCPX has been around a for a few years now; before doing anything else, I'd check any guides you are about to use reflect the latest version (or the version you are using, which may not be up to date!!!). Use the Wiki.

Apple provides a very clear guide: https://help.apple.com/finalcutpro/mac/10.2/. (I've included the full link as you can see you might need to check for an updated version)

You can also get an Apple manual.

Izzy Video.

Lynda.com.

Larry Jordan.

Atomic Learning.

FCPXworks.

FCP.co.
...

SOCIAL MEDIA MySpace and other failed sites


It is axiomatic that a social media presence is vital for any artist, aspiring or established. The perceived impact of Gaga's Little Monsters or Justin's Beliebers, not to mention any number of supposed bedroom success stories, reinforces this.

The fakery of most bedroom successes, their apparent viral success actually fuelled by major record labels' spending, and the pronouncement by the ever tedious Ed Sheeran that he's taking a break from social media to focus on his ... 'art', indicate a flipside to the argument that web 2.0 sites offer a key opportunity and disruption of the established distribution and marketing route through record labels.
Keen has also established an academic narrative against the intrusive, exploitative nature of these data-mining sites who profit from selling user data.

The articles below (with some strong language) are a useful reminder of the volatility of social media, with dominant sites completely disappearing once they lose their fashionability or zeitgeisty status.



Tuesday, 19 January 2016

INDUSTRY Universal acclaim down to marketing spend


A truly angry article, packed with useful detail on the monopolised music industry and how the biggest player, Universal, used its vast resources to seal influential critic awards.

A sample quote:
Add in similar costs for a TV and radio plugger, to get the music aired in public and make voters feel that said act really is the kind of label priority worth voting for, and the same again for an online marketing team to make things appear “viral” and “organic”, and you will be lucky to get much change out of £100,000. Labels say that the cost of developing and launching a new mainstream pop act today can be anywhere between £500,000 and £1m. With winning the tastemaker polls seen as the blue chip moment in a launch campaign, it’s clear why an increasing number of chips from a decreasing number of bettors are being stacked on the side of the BBC’s roulette wheel.

Monday, 18 January 2016

REPRESENTATION play gender bingo with Britney, Miley + coupla Daves

Heteronormative, objectifying; male gaze of Axl Rose?
Below: a playlist of various videos which are useful to demonstrate or at least discuss a range of gender representation terms and concepts. As the two fields are so interwoven, terms on sexuality are also included. Task instructions are also included.

SOME USEFUL TAGS ON THIS BLOG:
There is much more you can discover beyond the short, sharp snapshot of this selection and task.
Judith Butler;
Guns n Roses;
Lady Gaga;
Katy Perry;
Depeche Mode;
feminism;
(post) hetero-normativity;
(post) Miley: feminist or post-feminist?;
Is there a better example of misogyny? Read post here.

Wednesday, 13 January 2016

CONVENTIONS A guide to blogging your research

TBC - this is a NEW guide, replacing the previous post/paper guide
In a new series of posts I will break down the major themes/assessment criteria for Research and Planning in particular into four sections:
WHY is this required/important
WHEN should I do this
WHAT posts/content should I create
WITHIN what do I include within these
I will go on to suggest further sub-headings and themes to explore.

WHY
This impacts on several R+P assessment criteria, most directly on 'research into similar products'.

Thursday, 7 January 2016

VINYL Record player Amazon's top Xmas seller


A strong sign of the widening resurgence of vinyl: Amazon's top-selling audio equipment over the Xmas period was a cheap record player, with built-in speakers and software for ripping records. (SOURCE)

Monday, 14 December 2015

WEB 2.0 Ed's sheer art attack post-internet?

A mention in one Guardian article does not make for an established neologism* (post-internet), and the term strikes me as clumsily broad, but I expect some term will gain currency to describe the abandonment of social media by some artists. *neologism = a new word

That word SOME is important - we're not yet seeing any mass scale downing of virtual tools, and Indie or unsigned acts largely continue to find it a fairly vital tool, while global acts with tentpole level global distribution also continue to see it as a central marketing and branding strand.

I recommend reading Elberse's Blockbusters for informative studies of how Jay-Z and Gaga pushed social media interaction alongside a range of deals to get their albums sold in networks such as Starbucks.

The story here is that Ed Sheeran has announced he's taking a break from social media, which by most accounts made him a star in the first place, so there's some loyalty to his audience!
Sadly, he's not taking a break from making tedious music, the idea is to focus on his music and the experience of tours.

If Led Zeppelin could go to a Welsh farm to produce a classic album, and Peter Gabriel produce perfect pop in another rural studio, then surely Sheeran ... will produce more stadium filling tedium. And you'll just have to rely on the mainstream media to hear about it. Apart from the fans and their UGC and their tour pics and clips... I'm already getting an 'eadache thinking about it...
 

Sunday, 13 December 2015

Wu Tang Clan aint nuthin to ruck with


If you haven't heard of this story, it's a unique tale of how a major rap act monetised their latest recording, picking up much valuable publicity along the way.

They auctioned the exclusive rights to the only one copy produced, netting $2m - some of which they then gave to charity after it emerged that the buyer was a much-hated pharma millionaire.

On the upside, they apparently inserted a legal clause that allows Bill Murray to steal it back!!! (Or the band, thus the lyrically intertextualising post title for those who have failed to Enter the 38 Chambers)

SOURCE: Indie.

Album cover art animated

PLEASE NOTE: This video would be rated 18 for gore if it was submitted to the BBFC. NSFW.

If you're okay with the adult content, this is one means to quickly learn about a range of classic album art and maybe pick up some ideas.

It is also an exceptional example of UGC, and must have taken many, many painstaking hours to produce!

Wednesday, 9 December 2015

DIEGETIC FX Smoke without fire

My enforced broadbandless blogging continues from Pepper's Cafe - 10 days of Wi-Fi only is 240 hours too much... - pertinent as it makes me think of spray...

I can't recommend the NoFilmSchool site enough. The site's name denotes its mission to equip anyone who uses it with the insights needed to produce effective cinematography. My mobile's browser has 15 tabs from this site I want to work through in more detail!

This latest post (I got it through its FB page, a typically slickly run operation) highlights an affordable smoke ... can!

As it happens I was discussing smoke effects with a student today, a topic that came up a year ago in some other country...

The spark on both occasions was The Pixies' Bagboy, an absolutely exquisite use of colour, including coloured smoke.

Of course before shooting with smoke you need to comprehensively consider health and safety (asthma could be an issue for one) and whether this will lead to any staining or odour - and how easy or not it will be to clear!!!

If I remember right this is the 40th anniversary (within a few days) of the fire at a Frank Zappa gig that inspired Smoke on the Water. Could this be the year you incorporate a smoke effect in your video?

Read the article below carefully - this is a complex area. The visual pay-off could be considerable though
.
http://nofilmschool.com/2015/12/fog-machine-aerosol-spray-can

Sunday, 6 December 2015

UGC viral fan-made photos making minions

Just as with film, the notion that a producer churns out a text that is then passively consumed by an audience is clearly no longer the case in the music industry either. Artists feel great pressure to be heavily involved in some variety of social media to sustain interest (though there's certainly an argument that this eventually undermines interest as mystique wanes).

You will most likely have seen your own variations of the following - paste in links as comments and I'll add them...



See below for images

VINYL the Cream rises, new Pixies'n'mix

Why do I keep posting on vinyl's resurrection? Several reasons:
  1. You need to be aware of music industry developments
  2. These should inform your marketing materials, and the formats you list (ie, not just digipak, but a 3-part list with download)
  3. Digipaks are intended to mimic vinyl and so share some of their collectable, specialappeal (compared to standard jewel case releases)
I'll add images and links once sat at a computer, but this expensive boxset popped up on my FB whilst an even more expensive Pixies boxset was pushed in an email I'd signed up to when buying their comeback EP on vinyl (with multiple download options too).


IN THIS POST: Pics/links on Cream vinyl boxset; Pixies vinyl boxset; Tesco launching vinyl sales.

Friday, 20 November 2015

FAIR USAGE Google to fight takedowns as unfair cop

The fair usage copyright (legal) concept is an important one to be aware of - you may find yourself with a range of notices on your own channel, from notification that rights-holders can insert ads before your videos to removal of audio through to video deletion and even account deletion; you need to take care with how you handle copyright material.

Abuse of the system isn't just one way though, and Google (YouTube conglomerate parent) is starting to fight back against vexatious claims and profiteering by the record industry, film companies and other cynical profiteers...

Saturday, 14 November 2015

INDUSTRY Vinyly the truth on streaming value?

As we aren't given a figure to compare vinyl revenues with, and the vinyl figure is the gross retail total, not the amount record companies gained (plus the ongoing industry lobbying against YouTube et al), I'm a little sceptical, but apparently...

 


 

Wednesday, 28 October 2015

AUDIENCE CONVERGENCE Carly Rae Jepson controlled by audience emoticons

 
This is nothing new - I blogged on interactive videos at least a couple of years back - but it is a high profile, mainstream example with the considerable muscle of Universal Music behind it.

Saturday, 24 October 2015

SHOOTS ten tips for a successful shoot

I'm sure there are plentiful more learned guides out there - and I'd always encourage reading video/film-makers' books (Alex Cox is very readable on his low-budget Indie shoots) - but these are ten simple bits of advice based on years of observing student filming, especially the common disasters that happen...

Saturday, 17 October 2015

Government hip to square deal of Indie promotion



More than a dozen independent UK music labels and songwriters have received £200,000 in government funding to promote up-and-coming artists abroad.
It is the latest round of funding made available through the £2.5m music export growth scheme, established two years ago by UK Trade and Investment (UKTI) with the music industry body, the BPI, to help independent music companies make their mark in the US, Asia and Europe.

Read the full article: Thankyou Whitehall, goodnight – Indie labels win government grants.

Friday, 9 October 2015

FCPX plug-ins

Budget limitations may mean you'll have to pay for it yourself, but do be aware there are many great plug-ins out there for Final Cut Pro X (and most major video editing suites).

We looked recently at a very specific example, as students looked to emulate aspects of some depeche Mode videos they particularly admired:
FINAL CUT PRO X CAMERA EMULATOR PLUGINAs raised when looking at these, you can emulate super-8 and 16mm (etc) cameras by purchasing FCPX plugins (this one is $50 - you may need to buy it yourself and carry edited clips from your own Mac to a school one).
[copied across from a post on Depeche Mode and the French New Wave style]

Thursday, 8 October 2015

GENRE map

A simple graphic demonstration of the proliferation and splintering of genre in the digital era, surely undermining the broader concept itself?
 
See the full map here.